Gainax
Pages reviews The Notenki Memoirs
by Yasuhiro Takeda

August 2005, 191 pages, ADV Manga
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“Whaddaya say… you do here?”
-- Office Space
The Notenki Memoirs, originally published
in Japan in 2002, is a memoir by Yasuhiro Takeda, a longtime producer
at Gainax. After reading nearly 200 pages of what is essentially a business
memoir, however, I am hard pressed to say what, if anything, Takeda ever
did at the company.
He started out as a student running sci-fi conventions,
developed a relationship with Hideaki Anno and the crew who created the
Daicon animations, ended up working at a model kit store,
General Products, and eventually joined Gainax when the store got folded
into the studio. What he did at Gainax is a mystery, but he remains there
to this day.
A “producer” is someone who supplies or raises
money for a production and oversees the creative people who make the actual
anime, but, according to his memoir, Takeda was a miserable failure in
all of these capacities. Due to his complete ignorance of the rudimentary
basics of accounting and tax law, Gainax was convicted of massive tax
evasion in the wake of Evangelion and its company President,
Sawamura, carted off to jail. Under the worthless management skills of
these same men, the company that boasted the visionary talent of Hideaki
Anno and created such classics as Gunbuster and Nadia
could barely even remain in the black.
In sum, after reading The Notenki Memoirs,
I am convinced that the problem with Gainax has always been a lack of
experienced business people handling the management and day-to-day problems
of running a successful business. Men like Takeda are to blame, and his
memoir reinforces the recent statement by Business Week that, despite
its global visibility, the production of anime remains an immature cottage
industry.
So what's in this memoir? Due to the fact that Takeda
never took a creative role at Gainax, there is little information that
illuminates the creative process behind our favorite Gainax shows. The
first half of book details the rise of amateur sci-fi fandom in Japan
and the creation of the Daicon anime shorts and Daicon
films. There are some interesting details about how Yamaga, Akai, and
Anno created Daicon III and IV, but
also a lot of inconsequential memories regarding the petty politics and
minor problems of running various sci-fi conventions.
It is not well-known that Gainax created a number of
live-action films, including The Return of Ultraman and
Patriotic Taskforce Great Japan! The information that
Notenki Memoirs contains about these films is invaluable.
Before this book’s publication, English-speaking fans have had almost
no reliable facts about these obscure bits of Gainax history.
The book’s second, shorter half chronicles Gainax’s
move to Tokyo and the creation of its various anime, including a number
of aborted projects we never knew much about. The details about each production,
completed or not, are pretty thin—a grand total of two pages is
devoted to Nadia. The book closes with a roundtable interview
of the original three Gainax founders, Anno, Akai, and Yamaga. They are
only asked about Takeda, however, so not many details about the productions
or themselves are revealed here, either.
The Notenki Memoirs is not the Gainax
bible some (I) had hoped for, but it is a quick, cheap, enjoyable read
that fills in some gaps about Gainax history. Our entire knowledge of
Gainax was based previously on a handful of translated scraps that end
up on the internet or magazines, and it is valuable to have 200 pages
of material straight from the horse's mouth. Also, if Notenki
Memoirs sells well, it will encourage ADV and other companies
to translate similar material. FLCL novels -- do I dare
to dream?
Links
Gainax: Kaiketsu
no Tenki - The book's title is a reference to the Daicon film Kaiketsu
no Tenki, which Takeda starred in. Info on Kaiketsu no Tenki with tons
of images of Takeda looking silly here.
Japanese
profile of Takeda
Takeda's online photo
diary - Takeda has infrequently maintained an online photo diary at
the Gainax site.
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